In the entrance to the offices of Universal Records in Beijing, there’s a wall c o ve re d i...
Reviewed by Robin Denselow in issue: March/2010
This is a compilation of 11 percussion tracks, culled from at least five other percussion discs on the ARC Music...
Reviewed by Barak Schmool in issue: March/2010
Mayra Andrade’s confident 2006 debut Navega (reviewed in #44), brought her widespread acclaim. She was one of a number of...
Reviewed by Alex Robinson in issue: March/2010
Marta Topferova is an exciting example of a new generation of musician-composers as adept in Caribbean and South American music...
Reviewed by Jan Fairley in issue: March/2010
Blighted by war from 1961 to 2002, Angola has received far less attention for its music than many of its...
Reviewed by Tom Bullough in issue: March/2010
The Imagined Village began not so much as a band but a concept – melding multi-cultural Britain with its folk...
Reviewed by Tim Cumming in issue: March/2010
Susan McKeown & Lorin Sklamberg
Saints & Tzadiks is an unusual cross-cultural blend of Irish and Yiddish folk songs. Irish-born singer Susan McKeown and New...
Reviewed by Helen Beer in issue: March/2010
Ipek Ipekçiolu has done it again. Her well-programmed selection leads the listener through a dreamy path of discovery, with fun...
Reviewed by Francesco Martinelli in issue: March/2010
These are two wonderfully down-home compilations of folk musicians, mainly recorded in Austria by Arhoolie boss Chris Strachwitz in 1967...
Reviewed by Simon Broughton in issue: March/2010
Once fishermen and farmers on the rich alluvial banks of the Zambezi, the Batonga were driven at gun¬point from their...
Reviewed by Tom Bullough in issue: March/2010
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