Reviews
El Violento
‘El Violento’? Julio Ernesto Estrada, aka Fruko, who ran for Colombia’s senate in 2013? One hopes not. The veteran of...
Reviewed by Mark Sampson in issue: January/February/2024
The Orchestra in the Sky
Hochzeitskapelle & Japanese Friends
Hochzeitskapelle are a German instrumental quintet comprised of musicians from the Munich Jazz scene, who have garnered a reputation for...
Reviewed by Charlie Cawood in issue: January/February/2024
Guajirando
Mito and Comadre (both noms de guerre: ‘myth’ and ‘midwife’) hail from Venezuela, but moved to Bogotá, Colombia in the...
Reviewed by Kim Burton in issue: January/February/2024
Na Beanna Beola
It’s a been a long wait for Fiachra O’Regan’s solo follow-up to his 2008 debut, Aisling Gheal. The time in...
Reviewed by Michael Quinn in issue: January/February/2024
Glad Christmas Comes
‘Glad Christmas comes’ is the opening line from ‘December’ in John Clare’s poem The Shepherd’s Calendar. Carthy and Boden sing...
Reviewed by Julian May in issue: January/February/2024
There Must Be Another Way
Packing a punch with their post-pandemic offering, Manchester-based Agbeko’s There Must Be Another Way is a musical declaration of their...
Reviewed by Hillary Palesa Morusi in issue: January/February/2024
Le Sato 2
Latest in Acid Jazz’s reissue programme from the legendary Benin record label Albarika Store, this newly revived vintage gem was...
Reviewed by Tim Cumming in issue: January/February/2024
African Acoustic
A few years back Songlines used to be deluged with multi-artist budget-priced compilations like this one. Indeed, there were so...
Reviewed by Nigel Williamson in issue: January/February/2024
Torem
Shamanic couple Natasha ‘Baba Yaga’ and Anatoly Pakhalenko bring you another haunting Siberian offering with Torem. It’s an invitation to...
Reviewed by Buzz Bury in issue: January/February/2024
The Sky Unfurls, The Dance Goes On
Led by Brazilian-born, Italian/English-raised songwriter and singer Lau Ro, Wax Machine’s third album, The Sky Unfurls, The Dance Goes On,...
Reviewed by Francesco Martinelli in issue: January/February/2024
