Reviews
Relicário: João Gilberto (ao vivo no Sesc 1998)
Caetano Veloso famously recorded a heartfelt song, ‘Pra Ninguém’, in tribute to his Brazilian music heroes. The song names these...
Reviewed by GonÇalo Frota in issue: July/2023
What to Do, How to Live?
Swiss resident Lana Kostić is a cellist trained in Western Art Music, a member of the Bosnian diaspora, an experimenter...
Reviewed by Kim Burton in issue: July/2023
Blazing/Freezing
This impish New York trio venerate the innovations of Bill Monroe while simultaneously shattering the music he pioneered into tiny...
Reviewed by Spencer Grady in issue: July/2023
Speak of the Devil
Dallahan aficionados will want to know that the Edinburgh-based quartet's fourth studio album suggests something of a new beginning as...
Reviewed by Michael Quinn in issue: July/2023
Khedmat Be Khalq
I stumbled upon this album by chance, via Bandcamp, and I am glad its algorithms led me there.I travelled through...
Reviewed by Neil van der Linden in issue: July/2023
Call of the Whipbird
SUBSET (aka Karl Muller) is a New Zealand-born musician/producer/photographer, who has been based in Australia for 20 years. Working out...
Reviewed by Seth Jordan in issue: July/2023
Celebrants
‘My God it's good to see you,’ intones Chris Thile on the opening track of Celebrants, the first all-new album...
Reviewed by Doug Deloach in issue: July/2023
Synthesized Sudan: Astro-Nubian Electronic Jaglara Dance Sounds from the Fashaga Underground
Jaglara is the sound of one man and one keyboard, emanating from the rural al-Fashaga region near the tripoint of...
Reviewed by Jim Hickson in issue: July/2023
Mutations
Ever since 2017's Tribal Match found its way onto Kampala's dancefloors, Faizal Mostrixx has been a driving force on Uganda's...
Reviewed by Olivia Cheves in issue: July/2023
Ol Sing Blong Plantesen (Plantation Songs)
This unique collection of songs chronicles a sad 40-year period of Pacific history, from 1860 to the turn of the...
Reviewed by Seth Jordan in issue: July/2023
