Diepkloof and its neighbour, Meadowlands, were created as new zones in Soweto in the late 50s to accommodate those forcibly...
Reviewed by Nigel Williamson in issue: December/2023
This album acts as a sequel to Ifriqiyya Electrique’s recordings on Glitterbeat (2017-2019), which involved a collab between Putan Club...
Reviewed by Martin Longley in issue: December/2023
Labelle is Jérémy Labelle, from La Réunion. On this third solo album he’s set out to formulate the fledgling genre...
Reviewed by Martin Longley in issue: December/2023
Given his status as the fiddle player and vocalist for the Grammy-winning Los Bayou Ramblers, no one would have blamed...
Reviewed by Andrew Daly in issue: December/2023
Originally released on the Soweto label back in 1975, Black Beauty is a classic album of early South African township...
Reviewed by Robin Denselow in issue: December/2023
Assiko Golden Band de Grand Yoff
Assiko Golden Band have been a fixture on the Dakar music scene for the past 20 years, representing the Senegalese...
Reviewed by Jim Hickson in issue: December/2023
The title of this Berlin-based Peruvian artist’s debut album translates as ‘Mothers’. It’s dedicated to both her mother and the...
Reviewed by Mark Sampson in issue: December/2023
José Alberto, nicknamed ‘The Nightingale’ to distinguish him from the other José Alberto, ‘The Canary’, is from Bayamo in Eastern...
Reviewed by Kim Burton in issue: December/2023
The Evo Morales era in Bolivia brought with it a re-evaluation of Indigenous cultural values, ranging across languages, architecture, fashion...
Reviewed by Chris Moss in issue: December/2023
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