Reviews
Mãe
Cristina Branco has always been a bit reluctant to call herself a fadista. And it is not hard to understand...
Reviewed by GonÇalo Frota in issue: November/2023
Caribe
Ana Carla Maza is a woman of true ambition, being a virtuoso cellist, a songwriter and singer and a bandleader....
Reviewed by Kim Burton in issue: November/2023
Conversations We’ve Had Before
With stalwart melodeon player Saul Rose and sympatico guitarist David Delarre, Eliza Carthy has hit on the perfect combination. They...
Reviewed by Julian May in issue: November/2023
Mãe
Cristina Branco has always been a bit reluctant to call herself a fadista. And it is not hard to understand...
Reviewed by GonÇalo Frota in issue: November/2023
Les Voix du Vent Avec Cordes et Piano
Le Vent du Nord, Le Quatuor Trad, Philippe Prud’homme
The title tells what’s different here for Le Vent du Nord, multi-winners of Canadian Folk Music Awards since their formation...
Reviewed by Jeff Kaliss in issue: November/2023
Empire Electric
The new album, Empire Electric, from No-No Boy, the alter ego of rogue folklorist Julian Saporiti, dives into Southeast Asian...
Reviewed by Devon Léger in issue: November/2023
La Novia
An album of Sephardic and traditional songs from Puglia’s La Cantiga de la Serena, a trio made up of Fabrizio...
Reviewed by Maria Lord in issue: November/2023
Switched On
Puerto Rican dubmeister Pachyman left San Juan for Los Angeles a while back, took his Latin Caribbean roots with him...
Reviewed by Max Reinhardt in issue: November/2023
Vol 2 – Yet and Still
Too Sad For the Public | Too Sad for the Public
The latest album by Too Sad for the Public, the dynamic musical aggregation led by composer/songwriter/producer Dick Connette, serves as...
Reviewed by Doug Deloach in issue: November/2023
