This is the third album from a highly respected musician from Mali. His two earlier solo albums were produced by...
Reviewed by Martin Sinnock in issue: October/2023
Bebel Gilberto's childhood was seemingly orchestrated by her illustrious father's “playing and playing and playing.” Because she was always her...
Reviewed by Mark Sampson in issue: October/2023
Yungchen Lhamo has been in exile from Tibet since 1989 and One Drop of Kindness, her seventh release, continues her...
Reviewed by Michael Ormiston in issue: October/2023
With You’re the One, Giddens is clearly hoping to broaden her appeal beyond the folk/roots/Americana stockade and her fan club...
Reviewed by Nigel Williamson in issue: October/2023
Alongside Alan Lomax and William Ferris, Robert ‘Mack’ McCormick fits into the tradition of white American enthusiasts of African-American roots...
Reviewed by Daniel Spicer in issue: October/2023
The title of this delicious compilation derives from the picós, the Afro-Colombian sound systems analogous to their Jamaican counterparts and...
Reviewed by Mark Sampson in issue: October/2023
The original five Blind Boys long ago went to meet their maker, which is unsurprising given that they first raised...
Reviewed by Nigel Williamson in issue: October/2023
Manoyatri is a set of four exciting new compositions by Australia-based Avra Banerjee who trained in Indian classical music and...
Reviewed by Jameela Siddiqi in issue: October/2023
Unifying the output of North Carolina-based musician Sally Anne Morgan is not easy. There's her solo albums, 2020's Thread and...
Reviewed by Kevin Bourke in issue: October/2023
While this second studio album from the multi-instrumentalist composer Jihad Darwish could easily have found its way into Jazzwise, there...
Reviewed by Nathaniel Handy in issue: October/2023
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