Mamarron Vol 1 aims to present a modern day representation of the Colombian tropical music scene, playfully dubbed ‘millennial cumbia’....
Reviewed by Charlotte Algar in issue: December/2022
This reissue collects four tracks by Ernesto Djédjé, the guitarist from Ivory Coast who made his first singles in Paris,...
Reviewed by Martin Longley in issue: December/2022
‘She Moves Through the Fair’, ‘As I Roved Out’, ‘Johnny, My Man’… Janice Burns and Jon Doran have chosen some...
Reviewed by Julian May in issue: December/2022
Itzhak Ventura is a ney specialist, mastering the Persian, Arabic and Turkish variants of this end-blown reed flute. He also...
Reviewed by Martin Longley in issue: December/2022
Lady Aicha & Pisco Crane''s Original Fulu Miziki Band of Kinshasa
This is the DIY eco-punk essence, Congo-style. Everything about Fulu Miziki has been repurposed from material rescued from the junkpile,...
Reviewed by Jim Hickson in issue: December/2022
Bill Callahan's Shepherd in a Sheepskin Vest saw his writing point its focus inwards and take on the enormity of...
Reviewed by Glenn Kimpton in issue: December/2022
Eliza Carthy & The Restitution
‘I've given blow jobs on couches to men who don't want me anymore’ – that first line of Eliza Carthy's...
Reviewed by Julian May in issue: December/2022
Norwegian folk and Arabic maqam engage in an understated courtship on this debut record by violinist Inger Hannisdal. Bass, drums...
Reviewed by Liam Izod in issue: December/2022
In 1965, Who's That Knocking? by Hazel Dickens & Alice Gerrard demolished forever a de facto gender barrier within the...
Reviewed by Doug Deloach in issue: December/2022
Born into a family of musicians and storytellers on Ghana's Atlantic coast, Okaidja Afroso learned to sing seafaring songs as...
Reviewed by Nigel Williamson in issue: December/2022
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