Zöj are an intriguing Australian band who defy easy categorisation. Their name means ‘Couple’ in Farsi; they started as a...
Reviewed by Robin Denselow in issue: August/2025
This is a musical response to war and cruelty. Despite the seriousness of the subject and the dramatic events presented...
Reviewed by Ula Nowak in issue: August/2025
This international collective formed 15 years ago in Brussels to explore their Afro-Colombian roots and fuse traditional rhythms with the...
Reviewed by Mark Sampson in issue: August/2025
A prominent custodian of traditional Solomon Islands culture, Natty Dolaiasi hails from the Adegege people of Lau, on the island...
Reviewed by Seth Jordan in issue: August/2025
Luke Coffey & Patrick ‘Paahto’ Cummins
Right from the get-go on the opening set of reels (‘George White’s/Carracastle Lass’), there’s a lovely swing and lift to...
Reviewed by Peter Quinn in issue: August/2025
This ambitious record from singer Pimienta, originally from the Colombian Caribbean and now living in Canada, stems from her desire...
Reviewed by Kim Burton in issue: August/2025
“Sundays in Cartagena,” says cultural theorist, curator and DJ Edna Martinez, “have their rituals.” For decades, she has been going...
Reviewed by Charles De Ledesma in issue: August/2025
Efrén López, Ciro Montanari & Jordi Prats
A welcome return for Spanish/Italian trio, Efrén López, Ciro Montanari and Jordi Prats, who play rabab (Afghan lute), tabla (hand...
Reviewed by Chris Wheatley in issue: August/2025
Led by Persian tar virtuoso and composer Hamed Sadeghi, Sydney-based jazz quartet Eishan Ensemble return with their fourth album –...
Reviewed by Charlie Cawood in issue: August/2025
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