Zal Sissokho & Laurent Perrault Jolicoeur
Straight ahead jazz and Mande music coalesce with glorious results on Racines, a collaboration between Canadian double-bassist Laurent Perrault-Jolicoeur and...
Reviewed by Doug Deloach in issue: February/March/2026
Some 25 years ago, everything was going electronic. Every musical genre was subjected to experiments with digital beats and instruments,...
Reviewed by GonÇalo Frota in issue: February/March/2026
In the English speaking world Vesna Pisarović might not be an household name, but in the post-Yugoslavian pop music scene...
Reviewed by Francesco Martinelli in issue: February/March/2026
Following a recent WOMEX showcase, 3PEOPLEMUSIC, a Taiwanese trio of traditional instruments – zither (guzheng), moon lute (zhongruan) and flutes...
Reviewed by Keith Howard in issue: February/March/2026
Sonico is the only ensemble in the world dedicated to the music of Eduardo Rovira. The bandoneonist was one of...
Reviewed by Gabriel Cócaro in issue: February/March/2026
With Réminiscence, the France-based Gabonese singer Tita Nzebi delivers her third full-length album for the BIBAKA Music label. Building on...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2026
Michael Winograd is one of the great klezmer clarinettists of our time – and his previous albums have received strong...
Reviewed by Simon Broughton in issue: February/March/2026
Born in Argentina and raised in London, Malena Zavala earned critical plaudits for the DIY bedroom pop of her 2018...
Reviewed by Paul Bowler in issue: February/March/2026
A collaboration between the veteran Malian percussionist Sidiki Camara and Norwegian producer Tore Gjedrem, Djembe Tekno showcases a distinctive form...
Reviewed by Olivia Cheves in issue: February/March/2026
The highlights at WOMAD 2023 included Mokoomba, the many appearances by Justin Adams, and a commanding afternoon set in the...
Reviewed by Robin Denselow in issue: February/March/2026
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