Reviews
The Lark’s Call
Born and raised in France, now ensconced in Dingle, County Kerry, where he has attracted attention as the uilleann piper...
Reviewed by Michael Quinn in issue: July/2022
Made by Human Hands
Grand Union have been making communal, culturally expansive and embracing music for four decades now, with a strong legacy of...
Reviewed by Tim Cumming in issue: July/2022
Thumbs on the Outside
Michael Baird | Michael Baird & Pino Basile
Born in Zambia and based in the Netherlands, percussionist Michael Baird is an intrepid curator of African field recordings and...
Reviewed by Martin Sinnock in issue: July/2022
Puro Carnaval
From the opening track and throughout this album there is an electronic energy and vibrancy that makes you want to...
Reviewed by Buzz Bury in issue: July/2022
The Merciful Road
This follow-up to 2018’s The Fell finds the Northumberland duo tramping through familiar musical ground as they once more meditate...
Reviewed by Nathaniel Handy in issue: July/2022
Life’s What You Make It
In 2018, Lush co-founder Mark Constantine released a triple-vinyl set, Self Preservation Society, featuring new versions of classic rock/pop from...
Reviewed by Tim Cumming in issue: July/2022
Funky Africa
Compared to, say, Hugh Masekela and Abdullah Ibrahim, Almon Memela is not a name much celebrated in the pantheon of...
Reviewed by Nigel Williamson in issue: July/2022
Finish the Sun
Shane Cooper & MABUTA are often referred to as part of a new wave of South African jazz artists. But...
Reviewed by Diane Coetzer in issue: July/2022
Narrow Line
You’d be hard pressed to pinpoint the origins of Canadian folk duo Mama’s Broke. Their album Narrow Line more than...
Reviewed by Li Robbins in issue: July/2022
Boko a Ko
Formed in 2015 by the Ghanaian veteran Ebo Taylor, whose 1970s catalogue has been extensively reissued over recent years, the...
Reviewed by Nigel Williamson in issue: July/2022
