Reviews
Djawla
Anouar Kaddour Cherif is a new face on the scene, at least around European parts. Three years ago, at the...
Reviewed by Martin Longley in issue: April/2022
Las Historias Que Han Dejado
Latin America’s folk fusion traditions share common roots in Spain, West Africa, Poland, France and other Old World cultures, often...
Reviewed by Chris Moss in issue: April/2022
El Amor No es Para Débiles
Peru’s Bareto have responded to the departure of their lead singer Mauricio Mesones by recruiting a number of guest vocalists...
Reviewed by Russ Slater in issue: April/2022
Dark Carnival
Kate Green is gifted with a fine voice; she uses it with feeling and precision, which makes her a terrific...
Reviewed by Julian May in issue: April/2022
Ħadãeq
Formed in Belgium in 2010 Mólo Sâyat began life as a jam band, playing versions of the Mediterranean songs that...
Reviewed by Paul Bowler in issue: April/2022
Confluence #2: Le Chant des Sources
Usually made of hard wood, the kaval is an end-blown pastoral flute found in Turkey, Armenia, Greece, Albania, North Macedonia,...
Reviewed by Marc Dubin in issue: April/2022
Zone 6, Agege
Soaring highlife horns and harmonies jostle with hip-hop vocals and reggae rhythms to create a thoroughly engaging and very modern...
Reviewed by Simon Cross in issue: April/2022
Osmosi
Osmosi is a collage by three virtuoso Italian jazz-rock instrumentalists (Fabio Marconi, Alberto Pederneschi and Ivo Barbieri), blending styles from...
Reviewed by Neil van der Linden in issue: April/2022
Aistear
Evidence that Aisling Lyons is the finest young Irish harpist at work today comes in the eight-time All-Ireland champion’s debut...
Reviewed by Michael Quinn in issue: April/2022
