Reviews
Årringar
Like counting the rings of a tree to find out its age, Årringar counts the years in traditional song. It’s...
Reviewed by Fiona Talkington in issue: March/2022
Elif Sanchez
Singer Elif Sanchez grew up in Istanbul, before moving to the US to study jazz oboe and voice at Berklee...
Reviewed by Daniel Spicer in issue: March/2022
Fazer e Cantar
Diana HP’s heart lies in Minas Gerais, Brazil’s landlocked, literary heartland. Larger than France – where she resides – Minas...
Reviewed by Alex Robinson in issue: March/2022
From the Devil’s Punchbowl
Fresh evidence of a new generation from north of the border adding its own distinctive stamp on Irish traditional music...
Reviewed by Michael Quinn in issue: March/2022
Byzaanchy
Choduraa Tumat is one of Tyva’s finest female khöömeizhi (master throat singers), being leader of the group Tyva Kyzy, but...
Reviewed by Michael Ormiston in issue: March/2022
Chant Amazigh
Even devoted followers of Algerian music may find the name Majid Soula rings no bells – thankfully, the latest (number...
Reviewed by Garth Cartwright in issue: March/2022
Frigya
Imed Alibi is a Tunisian percussionist with a curious mind. Not content to take the predictable path, his two previous...
Reviewed by Nathaniel Handy in issue: March/2022
Tempos Futuros
Like long-time partner in rhythm, drummer Ivan ‘Mamao’ Conti, Azymuth’s veteran bassist Alex Malheiros makes an occasional solo sortie. This...
Reviewed by Mark Sampson in issue: March/2022
Good and Green Again
Like a roiling campfire on a cool autumn night, Columbus, Georgia-born, Durham, North Carolina-based Jake Fussell’s Good and Green Again...
Reviewed by Doug Deloach in issue: March/2022
