Reviews
Clandestino/Bloody Border
There are plenty of great albums that seem to define a moment in time but, as the zeitgeist moves on,...
Reviewed by Nigel Williamson in issue: October/2019
Border Woods
The Norwegian accordionist Frode Haltli follows 2018's excellent Avant Folk album with this much smaller quartet formation. There are two...
Reviewed by Martin Longley in issue: October/2019
Puro Tayta Shanti
From the first moments of this compilation, it's impossible not to feel transported to another plane. The repetitive, hammering bass...
Reviewed by Russ Slater in issue: October/2019
Engine 54
The Ethiopians were among the first Jamaican artists to signal their pride in Africa. They then achieved the remarkable feat...
Reviewed by Garth Cartwright in issue: October/2019
Da Hora
The ten seconds of ghostly harmonium that comprises this album's prelude comes courtesy of iconic French actor Denis Lavant (as...
Reviewed by Brendon Griffin in issue: October/2019
Liag
Dermot Byrne, Éamonn Coyne, John Doyle
Here's something to relish: three musicians at the top of their games – Dermot Byrne (accordion), Éamonn Coyne (tenor banjo),...
Reviewed by Michael Quinn in issue: October/2019
La Mélancolie Royale
Anyone who has visited the Dolmabahçe Palace in Istanbul will know what a monstrous mess was created by the Ottomans...
Reviewed by Simon Broughton in issue: October/2019
Karsilama
From a Turkish word meaning ‘meeting’ or ‘welcome’ comes the title of this resolutely acoustic album. The trio, based on...
Reviewed by Francesco Martinelli in issue: October/2019
Clint Eastwood/Many Moods of the Upsetters
Lee ‘Scratch’ Perry & The Upsetters
Lee ‘Scratch’ Perry needs little introduction, being both a celebrated pioneer and producer of Jamaican music and an in-demand performer...
Reviewed by Garth Cartwright in issue: October/2019
1990
The village of Szászcsávás in Romania only has 1,000 inhabitants, but its fame far outweighs its size thanks to its...
Reviewed by Simon Broughton in issue: October/2019
