Reviews
Espiral de Ilusão
After recording the odd samba on previous albums, Criolo has now devoted a whole album to Brazil's national rhythm, infusing...
Reviewed by Russ Slater in issue: March/2018
If I Had the Strength
I'd never considered that Gogol Bordello might be popular in Canada, but Canadian band Lemon Bucket Orkestra prove that the...
Reviewed by Garth Cartwright in issue: March/2018
Pressure to Pleasure
Recorded live in studios in Lagos and London by a sprawling Afrobeat band led by bassist and vocalist Femi Sofela,...
Reviewed by Nigel Williamson in issue: March/2018
Unjugged
The Jim Kweskin Jug Band formed in 1963 and quickly leapt to the forefront of the US folk revival. In...
Reviewed by Garth Cartwright in issue: March/2018
Lysning
Nils Økland has a characteristic so often found in Norwegian music, a combination of humility and determination. He has had...
Reviewed by Fiona Talkington in issue: March/2018
Eco do Futuro
It's always refreshing to encounter a band that defies stereotypes, especially one with a lead singer who hails from balmy,...
Reviewed by Jane Cornwell in issue: March/2018
Soundspecies & Ache Meyi
This thoughtful, affecting cross-cultural collaboration between British production duo Henry and Olly Keen (Soundspecies) and veteran Afro-Cuban ensemble Ache Meyi...
Reviewed by Jordan Barnes in issue: March/2018
Neotolian Song
Had Kate Bush come from Cappadocia, she might have sounded something like Turkish-born, Boston-based singer-songwriter Nazan Nihal. With her musical...
Reviewed by Russell Higham in issue: March/2018
