Words like ‘maverick’ and ‘beatnik’ have been liberally seasoning the many reviews of the music of Lankum – formerly known...
Reviewed by Glenn Kimpton in issue: December/2017
Breaking news: Souljazz Orchestra have discovered the synthesizer. But not in a bad way. After 15 years together, frequent tours,...
Reviewed by Mark Sampson in issue: December/2017
Bordered by Mali, the Ivory Coast, Ghana, Togo, Benin and Niger, and with a population that spans some 60 different...
Reviewed by Nigel Williamson in issue: December/2017
Contemporary bluegrass- and rag-based groups often write and arrange their material to appeal to contemporary listeners – which might mean...
Reviewed by Jeff Kaliss in issue: December/2017
Ecuadorean-born Coca Tenorio has a powerful, plangent voice. Settling in the Highlands of Scotland, she's imbibed that country's liking for...
Reviewed by Chris Moss in issue: December/2017
Though this is the debut album from Wiltshire folk singer Georgia Lewis, she has been performing as a trio with...
Reviewed by Nathaniel Handy in issue: December/2017
There is a lot to like about this debut album from Newcastle-based four-piece Assembly Lane. Comprising mandolin player Tom Kimber,...
Reviewed by Tim Cumming in issue: December/2017
After Bellowhead disbanded in 2016, Jon Boden set about regrouping his band The Remnant Kings to record Afterglow, with fellow...
Reviewed by Tim Cumming in issue: December/2017
Something must be wrong with my ears. Every advance review of Turmoil & Tinfoil, the debut album by Nashville-based fourth-generation...
Reviewed by Doug Deloach in issue: December/2017
Since her debut in 2000, Canadian fiddler April Verch has sounded ever more confident both at soloing and at supporting...
Reviewed by Jeff Kaliss in issue: December/2017
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