Reviews
Ghanashyam: A Broken Branch
This fascinating and eclectic work is the full version of Ravi Shankar's piece commissioned and first performed by Birmingham Touring...
Reviewed by Maria Lord in issue: October/2017
Painted
Joe Broughton's Conservatoire Folk Ensemble
Painted is a kind of folk thesis: a powerful argument that all the world's musical styles comprise a patchwork we...
Reviewed by Liam Izod in issue: October/2017
Shame
If Nashville singer and multi-instrumentalist Rachel Baiman's debut solo album were a time of day, it would be a warm...
Reviewed by Nathaniel Handy in issue: October/2017
Inland Sea
I was first drawn to the music of Stephan Micus by his piece written for 56 flowerpots in the 1980s....
Reviewed by Fiona Talkington in issue: October/2017
44070
This American quintet play Gypsy swing in what initially appears to be quite a straight-ahead way, but which on further...
Reviewed by Tim Woodall in issue: October/2017
We Happy Few
Accomplished instrumentalists Ford Collier (guitars, whistles, percussion and vocals) and Alex Garden (fiddle, percussion and vocals) have been playing together...
Reviewed by Tom Newell in issue: October/2017
Mac Ìle: The Music of Fraser Shaw
In 2015 Fraser Shaw, multi-talented piper, whistle player and composer, sadly died at the young age of 34. Mac Ìle...
Reviewed by Billy Rough in issue: October/2017
MwSOUL
Tunisian-born but now Brussels-based singer Ghalia Benali's rich and experimental career spans two decades and touches not only on music,...
Reviewed by Nathaniel Handy in issue: October/2017
Astro-Hungarian Jewish Music
Frank London Glass House Orchestra
The Glass House Orchestra takes its name from the Üvegház (Glass House), a building used by the Swiss diplomat Carl...
Reviewed by Simon Broughton in issue: October/2017
La Silencieuse
Meïkhâneh comprise singer Maria Laurent, Johanni Curtet on guitar and overtone singing, and Milad Pasta on Iranian percussion. Recording at...
Reviewed by Tim Cumming in issue: October/2017
