Reviews
Fair Winds & Following Seas
This conservatoire-trained trio – guitarist Jamie Rutherford, violinist Ning-ning Li and clarinettist Rosie Bott – have produced a delicate and...
Reviewed by Nathaniel Handy in issue: August/2017
The Eternal Getdown
Is world music a kind of tourism, or closer to anthropology? Are Latino roots more authentic in rural pueblos or...
Reviewed by Chris Moss in issue: August/2017
Strange Circles
This new ensemble's name, Bokanté, is an apt summing-up of their sound. The word means ‘Exchange’ in Creole – the...
Reviewed by Alex De Lacey in issue: August/2017
Knoblauch Scharf
Like all good funeral parties, the first, and seemingly last, full album from this group can be considered a mourning...
Reviewed by Tom Newell in issue: August/2017
The Rough Guide to Jug Band Blues
Jug bands were one of the phenomenons of 1920s and 30s blues, their members being so poor they literally blew...
Reviewed by Garth Cartwright in issue: August/2017
Les Objets Trouvés
Scottish singer and fiddler Kate Young is an increasingly familiar figure. She was part of the award-winning Songs of Separation...
Reviewed by Tim Woodall in issue: August/2017
Ribbons
Justin Adams feat Anneli Drecker
From his solo debut with 2001's Desert Road through to his production work with Tinariwen, collaborations with Robert Plant and...
Reviewed by Nigel Williamson in issue: August/2017
Sufi Spirit
You may be forgiven for approaching this with trepidation: a Danish rock‘n’roll band playing along with qawwali (the sacred music...
Reviewed by Jameela Siddiqi in issue: August/2017
Heart of the Congos
After failing to interest an international label when first released in 1977, Heart of the Congos has long been regarded...
Reviewed by Russ Slater in issue: August/2017
