Reviews
Tules Maas Vedes Taivaal
This is the debut recording of one of Finland's most dynamic new groups. The four young women who comprise Tuuletar...
Reviewed by Simon Broughton in issue: April/2017
Chris Thile & Brad Mehldau
For those more au fait with the jazz world, Brad Mehldau is something of a household name. His celebrated Art...
Reviewed by Alex De Lacey in issue: April/2017
Voices of Ashkenaz
This is a fascinating recording that evolved out of the Yiddish Summer Weimar festival, which unites serious Jewish music research...
Reviewed by Simon Broughton in issue: April/2017
Afterlight
Glasgow-based Ímar are named after a ninth-century king who ruled over Scotland, Ireland and the Isle of Man – which...
Reviewed by Kevin Bourke in issue: April/2017
Best Foot Forward
If the electric violin is an acquired taste, it is one very quickly acquired in Omar Puente's case. A classically...
Reviewed by Mark Sampson in issue: April/2017
The Moon We Watch is the Same
Not long after meeting as music students at 2013's Nordtrad conference, these four young folk musicians from Denmark, Finland and...
Reviewed by Kevin Bourke in issue: April/2017
Songs from Madagascar: Lasa
This is the third solo album from Hanitra Ranaivo, former singer with Malagasy group Lolo Sy Ny Tariny. She sings...
Reviewed by Martin Sinnock in issue: April/2017
Baile Bucanero
The first Ondatrópica album was recorded in Colombia's legendary Discos Fuentes recording studio. Unfortunately – criminally, in fact – that...
Reviewed by Russ Slater in issue: April/2017
Rough Guide to Hillbilly Blues
Given that Trump's administration recently clumsily marked Black History Month by implying Frederick Douglass was still alive, this album is...
Reviewed by Matt Milton in issue: April/2017
