Reviews
Eclairer le Monde (Light the World)
It starts with a furious flurry of percussion, and then in comes that voice, as commanding, passionate and distinctive as...
Reviewed by Robin Denselow in issue: May/2025
Vivo en Santo Domingo
Dominican musician Toné Vicioso has roots in bebop and avant-garde music, nurtured while resident in New York during the 70s....
Reviewed by Chris Moss in issue: May/2025
Chapter III: We Return to Light
We Return to Light is the conclusion of a triptych of instrumental mini-albums that has seen sitarist Anoushka Shankar explore...
Reviewed by Jim Hickson in issue: May/2025
Tatekieto
What’s in a name? PulciPerla is the marriage of two long-standing groups: the high-energy Toulouse quartet of drums, bass, accordion...
Reviewed by Mark Sampson in issue: May/2025
Live in the Khaleej!
Ghazi Faisal Al-Mulaifi & Boom.Diwan with Arturo O’Farrill
This project is inspired by Al-Mulaifi’s grandfather, one of the last of a generation of Kuwaiti master pearl divers, and...
Reviewed by Tom Spargo in issue: May/2025
Sunce Te Gleda
With a title translating as ‘Sun is Looking at You’, the album cover hints that this is a sequence of...
Reviewed by Simon Broughton in issue: May/2025
Una Oportunidad Más de Triunfar en la Vida
The tireless and protean Eblis Álvarez is back in another form. The Meridian Brothers artist hitches up with Mario Galeano...
Reviewed by Mark Sampson in issue: May/2025
Kiniata
Kinshasa is surely one of the world’s most exciting musical cities, and Kin’Gongolo Kiniata are the latest proponents of that...
Reviewed by Jim Hickson in issue: May/2025
Senu Mi Venu Mi
Described as “Croatian traditional singing with modern musical sound” and “fresh interpretations of Croatian musical heritage”, this is an album...
Reviewed by Robin Denselow in issue: May/2025
