Reviews
Fio da Memória
Maita's 2010 debut, while pleasant enough, gave little indication of the innovative experimentation of this, its follow-up. Early last year...
Reviewed by Howard Male in issue: Jan/Feb/2017
Carretero
Cándido Fabré has proved himself time and again to be one of Cuba's best living soneros. He first attracted...
Reviewed by Jane Cornwell in issue: Jan/Feb/2017
Out of My Own Light: The Margaret S Tait Project
In 1950, Margaret S Tait, aged 25, set out on a solo trip from Orkney across the North Atlantic and...
Reviewed by Billy Rough in issue: Jan/Feb/2017
Big Blue Desert
It is a measure of Mehdi Haddab's intensity and generosity that the oud player conjures an imaginary galaxy in the...
Reviewed by Daniel Brown in issue: Jan/Feb/2017
Divé Husy (Wild Geese)
Singer and violinist Jitka Šuranská is a rising star of the Czech music scene, drawing inspiration from the traditional music...
Reviewed by Simon Broughton in issue: Jan/Feb/2017
Navega!
From Marseille, singer Tatou and crew have continued leaping across to the US, bringing the Occitan language to new audiences....
Reviewed by Martin Longley in issue: Jan/Feb/2017
El Changüí Majadero
Changüí music hails from the recently hurricane-ravaged area of Baracoa in Cuba's easterly Guantanamo province: it is a graceful, Caribbean-soaked...
Reviewed by Jane Cornwell in issue: Jan/Feb/2017
Dedication to Sylvia Rexach
Puerto Rican singer-songwriter Sylvia Rexach was the face of her island's first all-female combo, Las Damiselas, back in the 1950s....
Reviewed by Chris Moss in issue: Jan/Feb/2017
“I Will Not Stop Singing”
As the title states, these Malawian inmates will not stop singing – at least until the 30 minutes of this...
Reviewed by Martin Longley in issue: Jan/Feb/2017
