Reviews
Santana IV
The ground-breaking Afro-Latin rock fusion of Carlos Santana and his band set alight the 1969 Woodstock festival and opened the...
Reviewed by Nigel Williamson in issue: July/2016
Ashofak Baden
Singer Nadin Al Khalidi saw a selfie of a Yazidi couple in northern Iraq that they had posted on social...
Reviewed by Max Reinhardt in issue: July/2016
Last Evenings on Earth
‘World fusion’ bands often don’t do much fusing at all. Instead, they might have some ska numbers, an Éthiopiques-style track...
Reviewed by Howard Male in issue: July/2016
The Happiest Man in the World
Eric Bibb & North Country Far & Danny Thompson
Eric Bibb refutes the stereotype of the bluesman as bad-ass drunkard who would sell his soul so to play music...
Reviewed by Garth Cartwright in issue: July/2016
Future Sound of Ukraine: Borsh Division
As Vlad Trotsky, theatre director and conceptual genius behind DakhaBrakha, once put it: ‘Old Europe is tired and cynical and...
Reviewed by Peter Culshaw in issue: July/2016
The Woman at the End of the World
Elza Soares has been one of Brazil's most controversial samba singers ever since her career began in the late 1950s,...
Reviewed by Russ Slater in issue: July/2016
This House Will Stand
For this Best Of set, Oysterband have compiled a disc of choice cuts from across their late-90s and post-2000s career,...
Reviewed by Tim Cumming in issue: July/2016
Reste la Lumière
This album starts off, appropriately enough, with a track called ‘Courage’, and the long vocal line supported only by a...
Reviewed by Maria Lord in issue: July/2016
Mar Afora
Over the last three decades, Portuguese jazz singer (and former black-belt aikido athlete) Maria João, and Brazilian singer-songwriter Guinga have...
Reviewed by Alex Robinson in issue: July/2016
Good Times Will Come Again
The seventh studio album from the enviably self-sufficient husband-and-wife team of Stu and Debbie Hanna, otherwise known as Megson, strikes...
Reviewed by Kevin Bourke in issue: July/2016
