Reviews
Coming Home
Ghanaian highlife appears to be regaining its popularity of late, and those who witnessed Pat Thomas at WOMAD in July...
Reviewed by Martin Longley in issue: November/2016
Come With Me
Dana Immanuel & the Stolen Band
“Dana Immanuel… isn’t she that trans singer that won the Eurovision Song Contest a while back?” “No Mum, that would...
Reviewed by Tom Newell in issue: November/2016
Thulth
Tamer Abu Ghazaleh plays a unique role in the Arabic music world. Based in Cairo, he is a Palestinian multi-instrumentalist...
Reviewed by Robin Denselow in issue: November/2016
Evolutsiya! 40 Best and Rarest 1991-2016
This double album marks the 25th anniversary of the intriguing phenomenon known as The Ukrainians. The band formed almost by...
Reviewed by Simon Broughton in issue: November/2016
Passages
Constantinople expands the constellation of projects begun in 1998 by Iranian-Canadian setar (lute) player Kiya Tabassian. Passages features three other...
Reviewed by Francesco Martinelli in issue: November/2016
The Treasure of our Ancestors
This album is a decent enough attempt to document the folk music of Madagascar's Betsileo region, made in the village...
Reviewed by Jon Lusk in issue: November/2016
Mornas de Cabo Verde
For the past half-century, the languid and lush musical genre morna has been successfully exported from its birthplace, a volcanic...
Reviewed by Daniel Brown in issue: November/2016
Moda Velha
During the 20th century Portugal was under the gloomy spell of one of the world's longest dictatorships – highly conservative...
Reviewed by GonÇalo Frota in issue: November/2016
Nyn
Kristi Stassinopoulou & Stathis Kalyviotis
Stassinopoulou has aptly described herself as a ‘Balkan ethno-trance artist’ and a practitioner of techno-folk psychedelia. I’ve been listening to...
Reviewed by Marc Dubin in issue: November/2016
