Since the early 1960s, most releases by the 15th-century Reformed School Gelugpa Tibetan Buddhist monks have been recorded at their...
Reviewed by Michael Ormiston in issue: May/2016
Much has been written about ‘world music’ as a genre – going back to David Byrne's 1999 New York Times...
Reviewed by Howard Male in issue: May/2016
Any momentary disquiet on hearing guest vocalist Marc Evans’ lounge-lizard take on the title-track was quickly dispelled by what follows....
Reviewed by Mark Sampson in issue: May/2016
Two decades into a career that began by defining the Asian Underground scene, Karsh Kale's work has continued to develop...
Reviewed by Amardeep Dhillon in issue: May/2016
Aly Keïta, Jan Galega Brönnimann, Lucas Niggli
A trio built around the sound of the balafon (West African xylophone), bass clarinet and percussion sounds like a promising...
Reviewed by Mark Sampson in issue: May/2016
Mbaraka Mwinshehe & Orchestra Super Volcano
Following up the very different, and rather sinuous taarab music showcased on volume 8 of Buda's excellent Zanzibara series devoted...
Reviewed by Jon Lusk in issue: May/2016
Stanley & the Ten Sleepless Knights
A few years after Frémeaux's two-CD compilation Virgin Islands Quelbe and Calypso 1956-60, comes a new release from a contemporary...
Reviewed by Charles De Ledesma in issue: May/2016
Oliver Swain is clearly a very talented chap. Not only does he play double-bass, banjo and guitar extremely well, but...
Reviewed by Matt Milton in issue: May/2016
Grabbing you by the scruff of the neck from the get-go, this nine-strong collective pays homage to Haiti's varied traditions,...
Reviewed by Jane Cornwell in issue: May/2016
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