The ancient world and the turbulent present collide to great effect on this, the second LP from the Greek woodwind...
Reviewed by Justin Turford in issue: November/2024
‘Pokes’ were typos to 14th-century scribes, and it's the rough music of a mistaken world, poked through with holes, that's...
Reviewed by Tim Cumming in issue: November/2024
Since co-founding the much-acclaimed Old Crow Medicine Show, Willie Watson has spent around a quarter of a century as an...
Reviewed by Nigel Williamson in issue: November/2024
Any Anxious Colour is the second album by steelpan player Mark Cherrie. Having released his debut, Joining the Dots, back...
Reviewed by Tom Spargo in issue: November/2024
With his fourth solo album for the Swedish label, the Afro-Brazilian minstrel from Salvador reinforces a decade-long recording relationship and...
Reviewed by Mark Sampson in issue: November/2024
Avra Banerjee is an Indian composer and sarod player based in Australia and he’s got some impressive instrumentalist and vocalist...
Reviewed by Simon Broughton in issue: November/2024
Hamilton de Holanda & Gonzalo Rubalcaba
Afro-Cuban pianist Rubalcaba and Brazilian mandolinist Hamilton de Holanda combine to play this impeccable hour of Afro-Cuban and Brazilian jazz,...
Reviewed by Andy Cumming in issue: November/2024
The title and subheading (Uzbek Disco, Tajik Folktronica, Uyghur Rock and Crimean Tatar Jazz from 1980s Soviet Central Asia) say...
Reviewed by Keith Howard in issue: November/2024
Diego Amador & José Maria Bandera
Diego Amador is one of a rare breed: a flamenco pianist. Rarer still he is also a cantaor (singer). Highlighting...
Reviewed by Jo Setters in issue: November/2024
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