It wouldn’t be everyone's idea of a fantastic surprise birthday present. But the Belgian mandolin player Andries Boone is a...
Reviewed by Matt Milton in issue: October/2014
The Preservation Hall Jazz Band derive their name, as you might expect, from Preservation Hall, the venerable music venue that...
Reviewed by Garth Cartwright in issue: October/2014
Gustavo Santaolalla gets around. Whether on home visits to Argentina, European tours with Bajofondo or work trips around his adopted...
Reviewed by Chris Moss in issue: October/2014
This extraordinary collection of Yiddish theatre songs, produced by Julian Futter and Mike Aylward, is the outcome of a ten-year...
Reviewed by Helen Beer in issue: October/2014
‘Day-o! Day-ay-ay-o! Daylight come and me wan’ go home.’ Everyone knows Belafonte's ‘Banana Boat Song’. For several decades following its...
Reviewed by Nigel Williamson in issue: October/2014
This recording captures the celebrated Brazilian singer live in a concert in Rio de Janeiro in 2013 in front of...
Reviewed by Alex Robinson in issue: October/2014
Potently blending Irish traditional music, bluegrass and old-time Americana, We Banjo 3's 2012 debut Roots of the Banjo Tree saw...
Reviewed by Michael Quinn in issue: October/2014
Castellum Honesti was originally recorded in Dublin and released in 1989. The fact that a band from Galicia should end...
Reviewed by GonÇalo Frota in issue: October/2014
The role of Paris and Marseille in the production of North African music in France is well documented: less so...
Reviewed by Philip Sweeney in issue: October/2014
Despite lasting less than two years, Virgin Records’ Front Line label produced some of the finest roots reggae of the...
Reviewed by Clyde Mcfarlane in issue: October/2014
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