Frango Elétrico’s name comes from the bastardisation of their original surname, Fainguelernt, and while Elétrico’s 2018 debut with its indie...
Reviewed by Andy Cumming in issue: October/2024
Originally from Mauritius, violinist-vocalist Véronique Serret is an Australian-based musician, known for her evocative compositions and performances. Bridging across film...
Reviewed by Seth Jordan in issue: October/2024
Punchy Balkan brass, bubbling dub rhythms and piquant punk guitar riffs jostle joyously on this first offering from Montréal-based Dumai...
Reviewed by Simon Cross in issue: October/2024
Fifty years after its original release, this long out-of-print album has been remastered and reissued on vinyl and digital form....
Reviewed by Mark Sampson in issue: October/2024
Citing Norwegian chamber-prog band Meer and composer Bear McCreary as influences, The Crooked Fiddle Band’s new and lengthily-titled album comprises...
Reviewed by Tom Newell in issue: October/2024
Pioneering banjo player, composer, and a key leading lady of bluegrass, Alison Brown wears many...
Reviewed by Devon Léger in issue: October/2024
Tel Aviv-based quartet Sababa 5’s third full-length album in as many years is, in fact, a compilation of the A...
Reviewed by Daniel Spicer in issue: August/September/2024
The Paradise Bangkok Molam International Band
Paradise Bangkok Molam International Band (PBMIB) has released its first studio album since 2016’s successful Planet Lam. The new album...
Reviewed by John Clewley in issue: August/September/2024
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