While Gaudi’s career has evolved from producer to solo artist, his experiments in electronica have always stayed true to dub....
Reviewed by Clyde Macfarlane in issue: Nov/Dec/2013
This album is certainly Anoushka’s most personal to date, as most of the tracks are inspired by, or in memory...
Reviewed by Simon Broughton in issue: Nov/Dec/2013
In the late 80s, the Gipsy Kings brought pop-flamenco to the world, becoming a household name and world music’s biggest...
Reviewed by Alexandra Petropoulos in issue: Nov/Dec/2013
It is constantly amazing how many old-time bands are around today. From gutter punks busking on the streets of New...
Reviewed by Garth Cartwright in issue: Nov/Dec/2013
This debut album from the current darlings of the UK bluegrass scene stands as a textbook example of what happens...
Reviewed by Doug Deloach in issue: Nov/Dec/2013
What a charming CD this is, evoking an alluring world of white linen jackets, pencil moustaches, fez hats and nightclubs...
Reviewed by Bill Badley in issue: Nov/Dec/2013
What’s in a name? Well, the album’s two longest tracks, ‘Assosa Derache’ and ‘Motherland Abay’, both composed, arranged and produced...
Reviewed by Mark Sampson in issue: Nov/Dec/2013
Debademba consists of singer Mohamed Diaby, who comes from a Malian griot family and was raised in Abidjan in the...
Reviewed by Martin Sinnock in issue: Nov/Dec/2013
The Welsh-born Catrin Finch has made her name playing harp with some of the world’s most prestigious orchestras, yet she’s...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
Ian McCamy is one of the leading fiddlers in old¬time American music circles. His illustrious playing has sparkled throughout albums...
Reviewed by Garth Cartwright in issue: Nov/Dec/2013
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