The name of King Ayisoba will fail to register the slightest flash of recognition on the faces of all but...
Reviewed by Nige Tassell in issue: July/2013
As the grandfather of a one-year-old, with a second grandchild on the way, this reviewer has been eagerly searching for...
Reviewed by Nigel Williamson in issue: July/2013
The Californian bluesman’s fifth album doesn’t mess about. Following the sound of an engine revving up, opening track ‘Down on...
Reviewed by Howard Male in issue: July/2013
Over her 20-year career, the Cape Verdean legend recorded a vast amount of songs that never quite made it onto...
Reviewed by Alex Robinson in issue: July/2013
In the 60s, a curious release on the Smithsonian Folkways label featured the well-known Korean folk song, ‘Arirang’ played on...
Reviewed by Keith Howard in issue: July/2013
The artist formerly known as Joyce has been recording for over 40 years. Antonio Carlos Jobim has called her ‘one...
Reviewed by Mark Sampson in issue: July/2013
Chantent en Français starts with a jaunty bout of string-picking, strumming, a squeeze of accordion, a parting curtain of strings...
Reviewed by Tim Cumming in issue: July/2013
Orchestre Poly-Rythmo de Cotonou
Analog Africa here return to the rich canon of Benin’s finest, Orchestre Poly-Rythmo de Cotonou, with The Skeletal Essences of...
Reviewed by Chris Menist in issue: July/2013
Like his compatriot Bassekou Kouyaté, it has taken Samba Touré a while to emerge as a star of Malian music....
Reviewed by Nigel Williamson in issue: July/2013
Goran Kajfe Subtropic Arkestra
Perhaps feeling the need to explain himself after X/Y, Goran Kajfeš’ critically acclaimed but impossible-to-categorise album, The Reason Why Vol...
Reviewed by Russ Slater in issue: July/2013
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