Reviews
We Know Where the Time Goes
Cut and paste is part and parcel of modern culture. What William S Burroughs did with print in the 1950s,...
Reviewed by Tim Cumming in issue: March/2012
Folk Tale
Now in his mid 60s, the iconic Irish folk trou¬badour still packs a punch, if this latest offering is anything...
Reviewed by Gerry Quinn in issue: March/2012
¡Dos Amigos, Una Fiesta!
Old-time music – that pre-modern amalgam of all the most exciting bits of 19th and early 20th century enter¬tainment careering...
Reviewed by Tim Cumming in issue: March/2012
Brass Noir: On the Trans-Balkan Highway
Piranha Records was the first world music label to effectively promote Balkan brass – issuing seminal albums by Boban i...
Reviewed by Garth Cartwright in issue: March/2012
Sublime Ragas
A foremost protégé of sitar maestro Ravi Shankar, Kartik Seshadri has very rapidly emerged as one of the world's best...
Reviewed by Jameela Siddiqi in issue: March/2012
En Mi Piel
Flamenco artists continue to coin new genres. The Mallorca-born African gitana Concha Buika takes flamenco’s pained message and impassioned spirit...
Reviewed by Chris Moss in issue: March/2012
Fandango: Provença Sessions
Kepa Junkera & the Melonious Quartet
Everything is suddenly alright with the world when an album comes along and blows your mind: especially when it's from...
Reviewed by Jan Fairley in issue: March/2012
Move
Toronto’s Sultans of String continue their Spanish-guitars-and-fiddle road trip with their third album. Something of a travelogue that careers across...
Reviewed by Li Robbins in issue: March/2012
Nine Decades Vol 1
Nine Decades could easily be the most exciting new series of albums in Indian music for some time: sitar king...
Reviewed by Jameela Siddiqi in issue: March/2012
Gadjistan Zizany
There’s no question that this spirited bunch of Barcelona-based musicians are more than proficient at churning out a lightweight, light-hearted...
Reviewed by Howard Male in issue: March/2012
