The members of Norwegian trio Tindra have an enormous sense of fun and a real passion for their own cultural...
Reviewed by Fiona Talkington in issue: Jan/Feb/2012
We've been here before, sort of. Three years ago BBC DJ Gilles Peterson enlisted the help of his musician mate...
Reviewed by Jane Cornwell in issue: Jan/Feb/2012
Court Music Orchestra of the National Gugak Center
In 1964, Jongmyo Jeryeak, the music and dance of the Rite for Royal Ancestors, was designated ‘Korea’s Intangible Cultural Property...
Reviewed by Keith Howard in issue: Jan/Feb/2012
When you think about it, ten years isn’t that long. But it’s been arguably enough time for Kátia Guerreiro to...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2012
The lithe, crystalline soprano voice of Emma Beaton is the first thing that stands out when you listen to This...
Reviewed by Doug Deloach in issue: Jan/Feb/2012
Cristina Branco is a conceptualist. Each of her albums, ever since 2003's debut Sensus, approaches fado according to a vision,...
Reviewed by Gongalo Frota in issue: Nov/Dec/2011
Divorced from the documentary that it soundtracks [reviewed on p103], Sounds And Silence effectively becomes a plain and simple ECM...
Reviewed by Matthew Milton in issue: Nov/Dec/2011
With neither ‘Gracias a la Vida’ nor ‘Maria Maria’ on it, this double album is not quite the definitive collection...
Reviewed by Chris Moss in issue: Nov/Dec/2011
The liner notes of this debut album say that the release is a tribute to the ‘musicians of Cambodia's Golden...
Reviewed by John Clewley in issue: Nov/Dec/2011
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