Reviews
Cicada
As someone once noted, if you haven’t heard them, it’s hard to describe what Hazmat Modine do, but if you...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
Sport and Play
This is an austere and sparse collection of ballads from the fresh¬faced young singer, guitarist and fiddler who picked up...
Reviewed by Nathaniel Handy in issue: Aug/Sep/2011
Concert Program
The orchestra that was the fruit of a feverish, food-poisoned dream in the south of France in the early 1970s...
Reviewed by Tim Cumming in issue: Aug/Sep/2011
Balkan Brass Battle
Any visitor to the Guča festival will have witnessed the raucous spectacle of two sweat-soaked brass bands angrily trying to...
Reviewed by Joe Walker in issue: Aug/Sep/2011
Malk
Given the pheno¬menal international success of Geoffrey Gurrumul Yunu-pingu's 2008 solo album, the blind Aboriginal singer's earlier work has sometimes...
Reviewed by Seth Jordan in issue: Aug/Sep/2011
Take The High Road
There’s an obvious parallel between the Blind Boys of Alabama and South Africa’s Ladysmith Black Mambazo. Both are veteran vocal...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
Noche de Carnaval
You have to give Juan Carlos Cáceres credit for productivity – and for effort. No sooner have we let one...
Reviewed by Chris Moss in issue: Aug/Sep/2011
Mechanical Monster
With lots of funk and zing to move all butts to the floor, the Monster Ceilidh Band remind us that...
Reviewed by Jan Fairley in issue: Aug/Sep/2011
From the Kasbah/Tunis to Tahrir Square/Cairo & Back
It was, so they say, a very musical revolution. How could it have been anything else? Even under the most...
Reviewed by Andy Morgan in issue: Aug/Sep/2011
