Reviews
Malk
Given the pheno¬menal international success of Geoffrey Gurrumul Yunu-pingu's 2008 solo album, the blind Aboriginal singer's earlier work has sometimes...
Reviewed by Seth Jordan in issue: Aug/Sep/2011
Take The High Road
There’s an obvious parallel between the Blind Boys of Alabama and South Africa’s Ladysmith Black Mambazo. Both are veteran vocal...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
Noche de Carnaval
You have to give Juan Carlos Cáceres credit for productivity – and for effort. No sooner have we let one...
Reviewed by Chris Moss in issue: Aug/Sep/2011
Mechanical Monster
With lots of funk and zing to move all butts to the floor, the Monster Ceilidh Band remind us that...
Reviewed by Jan Fairley in issue: Aug/Sep/2011
From the Kasbah/Tunis to Tahrir Square/Cairo & Back
It was, so they say, a very musical revolution. How could it have been anything else? Even under the most...
Reviewed by Andy Morgan in issue: Aug/Sep/2011
Volume One 1970-1979
‘Sorry’? The unusual first name is probably an Anglicisation of ‘Sorhy,’ which is itself a twisted version of the common...
Reviewed by Andy Morgan in issue: Aug/Sep/2011
Louisiana Sun
Some years back, Mama Rosin, the high-octane punk Cajun combo from Switzerland, met Hipbone Slim & the Knee Tremblers, a...
Reviewed by Julian May in issue: Aug/Sep/2011
The Promised Land: A Swamp Pop Journey
The late Charlie Gillett’s first venture into the music industry involved a trip to Louisiana where he licensed a selection...
Reviewed by Garth Cartwright in issue: Aug/Sep/2011
Live Wire
Several years ago, the Woody Guthrie official archives were given two spools of wire recordings of a live performance in...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
