Reviews
Impromptu
Angelo Debarre, born in St-Denis, France, starte d playing guitar at the age of eight. A member of the Manouche...
Reviewed by Garth Cartwright in issue: Jan/Feb/2011
Kulture Noir
She sings beautifully. She writes and composes. She speaks out against injustice. She makes her own out-there clothing. If ever...
Reviewed by Jane Cornwell in issue: Jan/Feb/2011
Immeasurable Light
One might have thought that the prolific Wu Man – who more or less single-handedly introduced the Chinese pipa lute...
Reviewed by Michael Church in issue: Jan/Feb/2011
What Makes Bob Holler
There can be few outfits whose name describes their modus operandi quite as fittingly as Hot Club Of Cowtown. If...
Reviewed by Nige Tassell in issue: Jan/Feb/2011
In the Name of the Rose
Dastan Ensemble with Hamid Motebassem & Salar Aghili
As one of the most innovative and prolific contemporary Iranian classical music ensembles to emerge since the early 90s, Dastan...
Reviewed by Laudan Nooshin in issue: Jan/Feb/2011
Le QuecumBar International Gypsy Swing Guitar Festival
Situated in a pub on a sidestreet in Battersea, Le QuecumBar is the UK’s leading – perhaps only – venue...
Reviewed by Garth Cartwright in issue: Jan/Feb/2011
Nordic Choro
You might describe choro as having the sensibilities of classical music alongsidethe earthiness of street music. It grew up in...
Reviewed by Fiona Talkington in issue: Jan/Feb/2011
Quiet Forest, Flowing Stream
That the pipa player Gao Hong has long lived in the US is evident in this collection, which reveals a...
Reviewed by Joanna Lee in issue: Jan/Feb/2011
Angola Soundtrack – The Unique Sound from Luanda 1968-1976
With its colonial links to Portugal, it is unsurprising that the music of Angola bears remarkable similarities to rhythms heard...
Reviewed by Martin Sinnock in issue: Jan/Feb/2011
Wotcheor!
The album cover has Jez tilting his boater and grinning into a camera like an old-fashioned MC, as if beckoning...
Reviewed by Tim Cumming in issue: Jan/Feb/2011
