Last begins with ‘Gan to the Kye’, a Northumbrian complaint about the local men taken by rebels, leaving only the...
Reviewed by Julian May in issue: Apr/May/2011
From the opening track of Gregg All man’s Low Country Blues – a funky, foot-stomping version of Sleepy John Estes’...
Reviewed by Doug Deloach in issue: Apr/May/2011
Kronos Quartet with Kimmo Pohjonen & Samuli Kosminen
Kimmo Pohjonen is not just one of the world's finest accordion players, he's a composer of panoramic vision, a consummate...
Reviewed by Fiona Talkington in issue: Apr/May/2011
Trilok Gurtu with Simon Phillips & NDR Big Band
Setting aside his wonderfully adventurous series of world music fusions, 21 Spices finds Trilok Gurtu returning to his early jazz...
Reviewed by Nigel Williamson in issue: Apr/May/2011
Ethnomusicologist Alain Desjacques made most of these field recordings of Kazakh, Uriangkhai and Zakhchin Mongol musicians in 1984, though some...
Reviewed by Michael Ormiston in issue: Apr/May/2011
Iain Morrison & Daibhidh Martin
Iain Morrison hails from the small village of Back on the Isle of Lewis. Having spent years trying to make...
Reviewed by Nathaniel Handy in issue: Apr/May/2011
Marry Waterson & Oliver Knight
Marry Waterson and Oliver Knight are the children of Lal Waterson, so grew up in that great singing family that...
Reviewed by Julian May in issue: Apr/May/2011
75-year-old conguero Robin Jones is a Latin music institution – and, indeed, a London one. When not beating the skins...
Reviewed by Jane Cornwell in issue: Apr/May/2011
Malian kora (harp-lute) player Mamadou Diabate is still only in his mid-30s but has racked up a stack of excellent...
Reviewed by Rose Skelton in issue: Apr/May/2011
Last year Honest Jon's released a well-received compilation titled Shangaan Electro. The album focused on a synthesized style of ancient...
Reviewed by Nigel Williamson in issue: Apr/May/2011
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