Features
Rainforest World Music Festival 2025
A Malaysian tropical paradise known as the ‘Land of the Hornbills’ is the ultimate destination for adventurous music lovers.
A Malaysian tropical paradise known as the ‘Land of the Hornbills’ is the ultimate destination for adventurous music lovers.
On her new album, Noura Mint Seymali has revitalised a Mauritanian wedding tradition. “Songs are like memes”, she tells Charis McGowan
The Black Rio movement gave voice to Black Brazilians in the 1970s. Its musical and political legacy continues to impact new generations
Cathy Fink recalls the warm and welcoming woman she encountered and the fun that followed when she decided to track down one of her musical idols, Appalachian singer and songwriter Ola Belle Reed
Welsh harpist Catrin Finch is embarking on a new partnership, this time exploring her Celtic and classical roots with Irish fiddle player Aoife Ní Bhriain
Simon Broughton speaks to Balázs Weyer of UPBEAT about their drive to bring European artists and festivals together [Advertorial]
Why is there so much snobbery and closed-mindedness about jazz from the ‘world music police’?
An extended version of our Q&A with Italian-Iranian 5-piece Hysterrae about their hypnotic new album
Latin idol, Cuban exile, Miami mentor and unrivalled queen of the conga, Charis McGowan speaks to the multi-award-winning songstress about returning to her roots
Russ Slater Johnson finds out why Souad Massi is sounding the alarm for humanity on her latest album, Zagate
Remarkable rising star Xenia França is challenging perceptions of what it means to be a Black Brazilian woman, quickly becoming the voice of a new generation of artists. Alex Robinson reports…
Jameela Siddiqi celebrates the legacy of the first qawwali group to find fame and send devotees into spiritual ecstasy around the world
The author and musician talks to Simon Broughton about how he resisted Indian music growing up and the singers who finally kindled his interest
Zakhar Davydenko heads to a folk-driven rave where young Ukrainians are dancing in their ancestors’ footsteps
In a bedroom in Camden, one Sunday in January 1965, The Watersons recorded a landmark in English folk music whose reenactment of ritual and magic still sounds thrilling 60 years later
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