Thursday, April 9, 2026
Charif Megarbane: A Beginner's Guide
Megan Iacobini de Fazio speaks with the genre-busting Lebanese multi-instrumentalist and composer, a conjuror of remarkable “illusions of proximity”
Megan Iacobini de Fazio speaks with the genre-busting Lebanese multi-instrumentalist and composer, a conjuror of remarkable “illusions of proximity”
A new instalment from the Yiddish Glory project revisits lost Yiddish songs from World War II ghettos and labour camps, though this time the themes are broader. “In ghettos, what they find funny is toilet humour”, hears Simon Broughton
KG Hutchins joins the nomad Mongolian fiddlers communicating with nature and preserving a threatened land
Brazilian pianist and composer Vitor Araújo shares how an ambitious work combining a symphony orchestra and Afro-Brazilian rituals almost cost him his finger
The American guitar virtuoso tells Charlotte Bateman how a chance encounter in a hotel elevator, a tab of LSD and two maestros shaped a life in music
Russ Slater Johnson talks to the folk-jazz musician and producer about an instrumental triptych devoted to an 18th-century Welsh love song
Billy Rough listens to new folk releases from England, Ireland, Scotland and Wales
One of the world’s great music festivals, set in Borneo’s living rainforest
Joshua Burnside talks about his new album 'It’s Not Going to be Okay', which finds the singer-songwriter grappling with grief following the death of his best friend
Billy Rough listens to new folk releases from England, Ireland, Scotland and Wales
Simon Broughton speaks to David Harrington about Kronos Quartet's Forgive Us For, an album that features music from Palestine, Iceland and Ukraine
Thérèse Wassily Saba speaks to London-based Syrian oud player and composer Rihab Azar ahead of the launch of her new album at London’s Kings Place
Violinist, singer and composer Yilian Cañizares discusses her relationship with her homeland of Cuba and her new-found home in Lausanne, Switzerland
Jo Frost reports from a Glasgow concert where language itself was the headline act
Russ Slater Johnson finds out why Souad Massi is sounding the alarm for humanity on her latest album, Zagate
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