Former Finnish ballet dancer Maarika Autio went to West Africa to study kora and the diatonic balafon, which is rarely...
Reviewed by Wif Stenger in issue: October/2021
Renair Records are unearthing rare sources of Jewish music from hidden archives. Chekhov's Band, the last album, reviewed in #114,...
Reviewed by Simon Broughton in issue: Aug/Sep/2018
There's a lot to like about this adventurous duet album by Rachel Baiman and Christian Sedelmyer. The former is a...
Reviewed by Doug Deloach in issue: Jan/Feb/2016
Mexico City-born El Javi humbly styles himself ‘The King of Rock Flamenco.’ The follow-up to an earlier EP called The...
Reviewed by Chris Moss in issue: October/2018
This is a groundbreaking recording. We’re well used to hearing fusions of Arab and Western popular music as pretty one-sided...
Reviewed by Bill Badley in issue: October/2015
The self-titled first album by the trio of Nuala Kennedy (flute and whistle), John Doyle (guitar, bodhrán, keyboards), and Eamon...
Reviewed by Kevin Bourke in issue: May/2022
It's immediately apparent that Jessica Moss, former violinist of art-rock indie band Thee Silver Mt Zion Memorial Orchestra, knows her...
Reviewed by Matt Milton in issue: July/2017
Castellum Honesti was originally recorded in Dublin and released in 1989. The fact that a band from Galicia should end...
Reviewed by GonÇalo Frota in issue: October/2014
Madrid-born Ana Alcaide went to Sweden to study as a biologist and came back to Spain to become a professional...
Reviewed by Kevin Bourke in issue: Apr/May/2013
Badume’s Band & Selamnesh Zemene | VARIOUS ARTISTS
The ‘Ethiopianisation’ of certain bands and their music is a curious, unpredicted scenario. Even sou-kous in its 80s peak didn’t...
Reviewed by Chris Menist in issue: March/2012
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