Reviews
An Introduction to Anne Briggs
An elusive but tremendously significant figure from the thrilling UK folk scene of the 1960s and 70s, Briggs has barely...
Reviewed by Kevin Bourke in issue: June/2018
Faso Denou
The rustic Wiltshire village of Box in the Cotswolds could hardly be more quintessentially English. The Rev W Awdry, who...
Reviewed by Nigel Williamson in issue: August/September/2022
Wayward Daughter
‘Grey Gallito’ is a work of steamy jazz that sounds as if it was recorded in Havana. It is also...
Reviewed by Julian May in issue: June/2013
Hidden Soul of the Fjords
Heidi Torsvik & Lazerus Winter
Heidi Torsvik and Lazerus Winter's Hidden Soul of the Fjords invites you to take a Nordic journey of discovery and...
Reviewed by Buzz Bury in issue: March/2021
Sounds and Colours: 10 Years
I’ve met Mexicans into Spanish oi, Bolivians addicted to Jamaican ska, and Argentinians obsessed with Celtic folk. They produce fanzines,...
Reviewed by Chris Moss in issue: October/2020
Aratan n Azawad
No surprise that Terakaft – the name means ‘caravan’ in Tamasheq – stayed pretty close to the sound of the...
Reviewed by Nigel Williamson in issue: June/2011
Gobi Desert
Stretching across an expanse of terrain joining Central Asia to northern China, the Gobi Desert is the location of several...
Reviewed by Charlie Cawood in issue: October/2019
Uam – From Me
The third studio album from Outer Hebridean Gaelic singer Julie Fowlis is as deeply immersed in the traditions of the...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2010
Seavaigers
Composer Sally Beamish originally approached Shetland fiddler Chris Stout and Dundee-born harpist Catriona McKay (who also work together in Fiddlers’...
Reviewed by Kevin Bourke in issue: Nov/Dec/2014
