Reviews
Deep Africa
Back in the 90s, Eric Mouquet and his French ‘ethnic electronica collective’ Deep Forest did more than anyone else to...
Reviewed by Nigel Williamson in issue: March/2013
Daughter of a Temple
Following closely on the heels of her previous 2024 album like the sky I’ve been too quiet, New York-born/Tamil Nadu-raised...
Reviewed by Charlie Cawood in issue: January/2025
Mangekyou
The album’s title translates as ‘Kaleidoscope’, appropriately describing the mix of funk and soul and hints towards a Japanese soundworld...
Reviewed by Keith Howard in issue: January/2025
Suron Ki Sayen
Avra Banerjee is an Indian composer and sarod player based in Australia and he’s got some impressive instrumentalist and vocalist...
Reviewed by Simon Broughton in issue: November/2024
Amen Amwin
Promoted as an ‘exceptional collective of musicians electrifying the Indian Ocean,’ AyoZaad are dominated by the electronica of Italian-Australian DJ...
Reviewed by Robin Denselow in issue: January/2025
Vinde Todas
Carme López Fernández has been studying and working on gender roles in Galicia’s musical tradition. Vinde Todas, her debut album...
Reviewed by GonÇalo Frota in issue: February/March/2025
The Winter Yards
This is – believe it or not – the first solo studio album from English folk singer-songwriter Steve Knightley in...
Reviewed by Nathaniel Handy in issue: February/March/2025
Undergrowth
This is the fifth album as leader by the Oslo-based trumpeter, who has long been a fixture on the Norwegian...
Reviewed by Chris Wheatley in issue: February/March/2025
Un Éloge d’Oblique: Confluence #1.2.3
Constantly exploring and expanding the boundaries of her instrument, French kaval player Isabelle Courroy presents here a three-part album (which...
Reviewed by Tom Newell in issue: February/March/2025
Looking for the Thread
Mary Chapin Carpenter, Julie Fowlis & Karine Polwart
This unexpected but very welcome silver lining collection first came together as a pandemic lockdown writing experiment. US singer-songwriter Carpenter...
Reviewed by Kevin Bourke in issue: February/March/2025
