Reviews
When They All Looked Up
For her first album of new material in six years Kate Rusby has recorded, mostly, songs of her own. These...
Reviewed by Julian May in issue: June/2025
El Sonido Bastardo
Madrid’s Danzón El Gato occupy a similar sonic space to US band Khruangbin, melding psychedelic rock influences with a plethora...
Reviewed by Paul Bowler in issue: June/2025
Peripheries of Nahavand
Salek is a Tehran-born, Canada-based ensemble leader and tar player versed in the mores of Iran’s dastgāh system of music,...
Reviewed by Tim Cumming in issue: June/2025
Bayou Moonlight
Jeffery Broussard & The Nighttime Syndicate
From the second that Bayou Moonlight’s opening track, ‘Whatever’, hits you, it’s readily apparent that you’re in for a wild,...
Reviewed by Andrew Daly in issue: July/2025
Dancing the Line
Ultan O’Brien is a fiddler and composer hailing from County Clare in West Ireland with an interest in both the...
Reviewed by Glenn Kimpton in issue: July/2025
fygame
Cultural borders are a lot older, and more cloudy, than geo-political, linguistic and ethnic borders, and this recording demonstrates that...
Reviewed by Kim Burton in issue: July/2025
Curandero
The US/Mexican frontier is a hotspot of hope and anguish, drugs and guns, rednecks and refugees. Orkesta Mendoza, formed by...
Reviewed by Chris Moss in issue: June/2020
Pipers
I’m a big fan of the clarinet. Of all the wind instruments it has the widest and most varied range...
Reviewed by Simon Broughton in issue: November/2020
IYA: Songs for the Mothers
For their fifth album, London's Afro-Cuban community choir build on their tradition of performing songs to the Orishas (Yoruba deities)...
Reviewed by Chris Moss in issue: May/2023
