Ammar El Sherei (AKA Omar El Shariyi), born in Upper Egypt in 1948, was considered a pioneer in the 1970s...
Reviewed by Charlie Cawood in issue: April/2025
As the album’s French title would suggest, tenor saxophonist JB Moundele here explores the traditional West African ‘roots’ of jazz,...
Reviewed by Tom Spargo in issue: April/2025
London-based shunTA! trot out a number of faithful old warhorses either originating in south-eastern Europe or adopted by musicians hailing...
Reviewed by Kim Burton in issue: April/2025
Now based in Belgium, the Burkinabé guitarist Sina Kienou and European vocalist Soledad Kalza met at a festival in 2019...
Reviewed by Nigel Williamson in issue: April/2025
Wura Samba (Wura meaning ‘gold’ in Yoruba) from Nigeria and his nine-piece “drumming and percussion” band return with Ajo Rebirth,...
Reviewed by Lucy Hallam in issue: June/2025
La Baula are a new Catalan group committed to collecting and spreading the traditional songs from their region. The title...
Reviewed by GonÇalo Frota in issue: June/2025
For her first album of new material in six years Kate Rusby has recorded, mostly, songs of her own. These...
Reviewed by Julian May in issue: June/2025
Madrid’s Danzón El Gato occupy a similar sonic space to US band Khruangbin, melding psychedelic rock influences with a plethora...
Reviewed by Paul Bowler in issue: June/2025
Salek is a Tehran-born, Canada-based ensemble leader and tar player versed in the mores of Iran’s dastgāh system of music,...
Reviewed by Tim Cumming in issue: June/2025
Recorded in the shadow of Lesotho’s Famo gang violence, For Those Left Behind is a defiant, dizzying triumph. The five-piece...
Reviewed by Hillary Palesa Morusi in issue: August/2025
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