On the follow-up album to Soumik Datta and Bernhard Schimpelsberger's deservedly praised debut album, the pair widen their musical vision,...
Reviewed by Peter Culshaw in issue: Aug/Sep/2014
‘The image of the travelling wildfire reminded me of how music and stories can travel from generation to generation, bringing...
Reviewed by Tim Cumming in issue: May/2023
Mamak Khadem has been woefully neglected by UK world music promoters and producers. She started her performing career as lead...
Reviewed by Laudan Nooshin in issue: March/2012
This latest album from the French four-piece Electric Vocuhila, comes hot on the heels of a residency spent in Madagascar...
Reviewed by Lucy Hallam in issue: December/2022
With his assured fiddle, guitar, banjo and voice, this native of Brattleboro, Vermont has a firm enough grasp of American...
Reviewed by Jon Lusk in issue: Nov/Dec/2014
Accordionist and composer Tuulikki Bartosik made quite an impression with her previous album, Chatterbox, with Hannah James. Her latest project,...
Reviewed by Fiona Talkington in issue: October/2016
When Jamaica achieved its independence from Britain on August 6 1962, its music industry was still in the nascent stages...
Reviewed by David Katz in issue: October/2022
Three elements compete in La Voix de la Passion, an intriguing CD by Damascus conservatory graduates Waed Bouhassoun and Moslem...
Reviewed by Martin Stokes in issue: Jan/Feb/2017
Two years after his successful Univers-Île album [a Top of the World album review in #132], Jeremy Labelle, a forerunner...
Reviewed by Pierre Cuny in issue: July/2019
The cover looks like an Aussie road sign, but the trio of musicians – who sound like a much bigger...
Reviewed by Chris Moss in issue: June/2018
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