Reviews
Un Éloge d’Oblique: Confluence #1.2.3
Constantly exploring and expanding the boundaries of her instrument, French kaval player Isabelle Courroy presents here a three-part album (which...
Reviewed by Tom Newell in issue: February/March/2025
Looking for the Thread
Mary Chapin Carpenter, Julie Fowlis & Karine Polwart
This unexpected but very welcome silver lining collection first came together as a pandemic lockdown writing experiment. US singer-songwriter Carpenter...
Reviewed by Kevin Bourke in issue: February/March/2025
Bayou Moonlight
Jeffery Broussard & The Nighttime Syndicate
From the second that Bayou Moonlight’s opening track, ‘Whatever’, hits you, it’s readily apparent that you’re in for a wild,...
Reviewed by Andrew Daly in issue: July/2025
Dancing the Line
Ultan O’Brien is a fiddler and composer hailing from County Clare in West Ireland with an interest in both the...
Reviewed by Glenn Kimpton in issue: July/2025
fygame
Cultural borders are a lot older, and more cloudy, than geo-political, linguistic and ethnic borders, and this recording demonstrates that...
Reviewed by Kim Burton in issue: July/2025
So Kono
Salif Keita was supposed to have stopped recording. The singer-songwriter, nicknamed the ‘African Caruso’ and the ‘Golden Voice of Mali’,...
Reviewed by Jane Cornwell in issue: May/2025
Nordic Reflections
Maimu Jõgeda is an Estonian now living in Helsinki, and Nordic Reflections is her third album. It features nine original...
Reviewed by Tony Gillam in issue: May/2025
A Blade Because a Blade is Whole
Emerging from the UK’s experimental underground, DePlume’s Spotify statistics indicate that his concoction of poetry and jazz provides a taste...
Reviewed by Liam Izod in issue: May/2025
