Jake Xerxes Fussell & James Elkington
In a move away from their usual collaborative format (James has played on and produced Jake’s last two albums), these...
Reviewed by Glenn Kimpton in issue: February/March/2026
Formed in London in 2010 by composer/bandleader Mak Murtić and Maja Rivić, Mimika Orchestra are an avant-garde jazz-world ensemble now...
Reviewed by Tim Cumming in issue: February/March/2026
Oberkas Travel are as close to a supergroup as one can get. A quartet of seasoned members of Warsaw’s alternative...
Reviewed by Michał Wieczorek in issue: February/March/2026
A collaboration between the veteran Malian percussionist Sidiki Camara and Norwegian producer Tore Gjedrem, Djembe Tekno showcases a distinctive form...
Reviewed by Olivia Cheves in issue: February/March/2026
Symphony of Self represents an incandescent display of talent and ambition from pipa maestra Gao Hong. Hong composes, arranges and...
Reviewed by Liam Izod in issue: February/March/2026
While Dutch outfit YĪN YĪN first made their name through an amalgam of psychedelic rock and Southeast Asian styles, their...
Reviewed by Paul Bowler in issue: February/March/2026
Presumably no relation to either Vicente or Liza, the avant-dub prankster is back, following 2024’s acclaimed Perpetual Musket. With the...
Reviewed by Mark Sampson in issue: February/March/2026
VARIOUS ARTISTS | Various Artists
Japanese minyo (traditional folk songs) have been part of the country’s cultural fabric for centuries. Often connected to themes of...
Reviewed by Paul Bowler in issue: February/March/2026
The US/Mexican frontier is a hotspot of hope and anguish, drugs and guns, rednecks and refugees. Orkesta Mendoza, formed by...
Reviewed by Chris Moss in issue: June/2020
I’m a big fan of the clarinet. Of all the wind instruments it has the widest and most varied range...
Reviewed by Simon Broughton in issue: November/2020
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