Although this is Leyla McCalla’s debut record, anyone who’s seen the Carolina Chocolate Drops live will have been warmed by...
Reviewed by Nige Tassell in issue: Nov/Dec/2013
Paulo Bellinati & Cristina Azuma
Though little of it reaches our shores, there's a great deal more to Brazilian music than bossa nova and 1970s-style...
Reviewed by Alex Robinson in issue: Aug/Sep/2016
Širom, a young Slovenian multi-instrumentalist trio, exemplify a fine balance between improvisation and craft. This, their second studio outing, sees...
Reviewed by Tommie Black-Roff in issue: November/2017
Remembering is a curious mix. Mostly made up of self-penned songs, the album marks a new direction for Ross Ainslie...
Reviewed by Billy Rough in issue: December/2015
Perhaps the most remarkable thing about this music is that it exists at all. During the Khmer Rouge's reign of...
Reviewed by John Whitfield in issue: October/2011
Stefano Saletti & Banda Ikona are back with their mixture of ancient and contemporary, loads of modal themes, rhythms and...
Reviewed by Ciro De Rosa in issue: March/2022
Estonian fiddler, composer and singer Maarja Nuut has been a favourite in these parts since her 2016 album Une Meeles...
Reviewed by Nigel Williamson in issue: December/2020
As album openers go, ‘No Rest for the Wicked’ is an epic one. It takes that Central European village-band call-and-response...
Reviewed by Matthew Milton in issue: March/2011
This debut album from the current darlings of the UK bluegrass scene stands as a textbook example of what happens...
Reviewed by Doug Deloach in issue: Nov/Dec/2013
Since 2001's acoustic set Missing You (Mi Yeewnii), Baaba's only new studio album in 15 years has been 2009's Television,...
Reviewed by Nigel Williamson in issue: March/2016
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