Reviews
Faire Ça
Meril Wubslin’s fourth album, born from a crossroads between Brussels and Lausanne, unfolds as a captivating sonic odyssey. Recorded at...
Reviewed by Buzz Bury in issue: May/2024
Los Lobos del Recuerdo
Lobos is one of those Buenos Aires province backwater towns where nothing much happens, ever. It may be an accidental...
Reviewed by Chris Moss in issue: June/2024
Ousoul
Tarek Abdallah & Adel Shams El Din
Born in Alexandria and based in France, oud-player and composer Tarek Abdallah is a scholar of traditional Arabic music. Much...
Reviewed by Paul Bowler in issue: June/2024
Hiva
Ahmad Al Khatib & Kaveh Mahmudiyan
Ahmad Al Khatib and Kaveh Mahmudiyan have created Hiva, an album of traditional Ottoman-styled oud and percussion commissioned by Global...
Reviewed by Yousif Nur in issue: June/2024
Berlin 1964 – Live & Berlin 1964 – The Lost Studio Recordings
A double archival release from Black Truffle, these very rare recordings feature the brothers Moinuddin (d1966) and Aminuddin Dagar (d2000),...
Reviewed by Jameela Siddiqi in issue: June/2024
Ballaké Sissoko & Derek Gripper
Ballaké Sissoko & Derek Gripper
In terms of guitar and kora duos, it’s hard to think much beyond the inspired collaboration of Toumani Diabaté and...
Reviewed by Nigel Williamson in issue: July/2024
The Art of Sankyoku
Ensemble Hougaku Shijyuusoudan
Japanese musicians have few competitors when it comes to sustaining traditions while subtly updating them for today. Traditions are rarely...
Reviewed by Keith Howard in issue: June/2024
I Too am a Stranger
The Sorcerers are not exactly prolific – this is their third album in nine years – but they are a...
Reviewed by Robin Denselow in issue: May/2024
Duets
Featuring many of the artists with whom he has worked over a 30-year career, bassist and singer Ben Nicholls parades...
Reviewed by Tim Cumming in issue: June/2024
