Reviews
Sunce Te Gleda
With a title translating as ‘Sun is Looking at You’, the album cover hints that this is a sequence of...
Reviewed by Simon Broughton in issue: May/2025
Out Here on the Perimeter (1989–1996)
By 1989, where the Out Here on the Perimeter boxset begins, Jamaican drummer Lincoln ‘Style’ Scott was a fully committed...
Reviewed by Celeste Cantor-Stephens in issue: May/2025
Prelude to the Divine Realm
While the pipa lute and guqin zither are each highly respected and culturally representative instruments of traditional Chinese music, they’re...
Reviewed by Charlie Cawood in issue: May/2025
Muriwai
A hypnotic blend of instrumentation and language from both Celtic and Māori traditions, Muriwai is a captivating and immersive listening...
Reviewed by Sosefina Fuamoli in issue: May/2025
Believer
Three albums in and it feels like Blue Cactus, from Chapel Hill, North Carolina, have finally found themselves. In truth,...
Reviewed by Russ Slater Johnson in issue: June/2025
Cancionera
We know Natalia Lafourcade can turn on the intimacy and intensity. On 2024’s Live at Carnegie Hall, she managed to...
Reviewed by Chris Moss in issue: June/2025
Luna, Cera e Vino
From southern Italy comes what is described as a “dreamlike journey through memories, recollections and new images” of the ancient...
Reviewed by Robin Denselow in issue: June/2025
Seinferð
Faroe Islands-born, Copenhagen-based Lea Kampmann’s Seinferð (translated as Slow Motion) is characterised by a desire to encourage greater engagement with...
Reviewed by Billy Rough in issue: June/2025
The Wind
German Jazz vocalist and composer Simin Tander explores a plethora of folkloric traditions – in particular those of Spain, Italy,...
Reviewed by Charlie Cawood in issue: June/2025
Djiyo
Ablaye Cissoko & Cyrille Brotto
Anyone who heard Ablaye Cissoko & Cyrille Brotto on their last collaboration, Instant from 2022, will probably want to hear...
Reviewed by Simon Broughton in issue: June/2025
