Reviews
Sharatin
Ensemble Marani are an award-winning group of vocalists singing Georgian polyphony who have been active for over 30 years. They...
Reviewed by Simon Broughton in issue: July/2025
Songs for the Trees
A rich and deeply mytho-poetic set of 13 songs drawing on Ogham (the Druidic ‘tree alphabet’) and evoking some of...
Reviewed by Tim Cumming in issue: July/2025
Barĩy (Fera) برٌِي
Egyptian guitarist Maurice Louca’s music has shapeshifted continually across the years. Rooted in Arabic music, he’s refracted its traditions in...
Reviewed by Paul Bowler in issue: July/2025
Cancionera
We know Natalia Lafourcade can turn on the intimacy and intensity. On 2024’s Live at Carnegie Hall, she managed to...
Reviewed by Chris Moss in issue: June/2025
Luna, Cera e Vino
From southern Italy comes what is described as a “dreamlike journey through memories, recollections and new images” of the ancient...
Reviewed by Robin Denselow in issue: June/2025
Seinferð
Faroe Islands-born, Copenhagen-based Lea Kampmann’s Seinferð (translated as Slow Motion) is characterised by a desire to encourage greater engagement with...
Reviewed by Billy Rough in issue: June/2025
The Wind
German Jazz vocalist and composer Simin Tander explores a plethora of folkloric traditions – in particular those of Spain, Italy,...
Reviewed by Charlie Cawood in issue: June/2025
Djiyo
Ablaye Cissoko & Cyrille Brotto
Anyone who heard Ablaye Cissoko & Cyrille Brotto on their last collaboration, Instant from 2022, will probably want to hear...
Reviewed by Simon Broughton in issue: June/2025
Armageddon in a Sunny Dress
According to Sunny War, the music on Armageddon in a Sunny Dress, her follow-up to 2023’s Anarchist Gospel, partly stems...
Reviewed by Doug Deloach in issue: April/2025
Boss Morris
The self-titled debut from Boss Morris soars with all the melancholy folk beauty of a Red Kite in a wintry...
Reviewed by Dan Hobson in issue: April/2025
