Since co-founding the much-acclaimed Old Crow Medicine Show, Willie Watson has spent around a quarter of a century as an...
Reviewed by Nigel Williamson in issue: November/2024
Having made a name for himself in the hip-hop trio Johnny Cradle, this latest release shows Qü venturing forward as...
Reviewed by Tom Spargo in issue: December/2024
Grammy-winning Quetzal Flores likes ‘working with talented people,’ so answered the call of this author, educator and member of Latinx...
Reviewed by Mark Sampson in issue: December/2024
Formed in Denmark in 2022, the quartet of guitarists Alain Apaloo and Olav Poulsen, harmonica player Peter Nande and percussionist...
Reviewed by Nigel Williamson in issue: December/2024
Having performed as a sideman with a myriad of world-class South Asian and Western artists, percussion virtuoso Giridhar Udupa releases...
Reviewed by Charlie Cawood in issue: February/March/2025
‘Curyman’, the opening track of Rogê’s (Roger José Cury) follow-up, revisits the final, brief ‘O Vento’ from 2023’s Curyman (reviewed...
Reviewed by Mark Sampson in issue: February/March/2025
The Bongo Hop are the brainchild of France-based Etienne Sevet, who could be considered part of the new tropical revivalists,...
Reviewed by Andy Cumming in issue: February/March/2025
The Rohingya people are among the most persecuted on the planet. In 1982, they were driven from their ancestral homes...
Reviewed by John Clewley in issue: July/2024
Three albums in and it feels like Blue Cactus, from Chapel Hill, North Carolina, have finally found themselves. In truth,...
Reviewed by Russ Slater Johnson in issue: June/2025
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