Reviews
Neshan
The Ān Ensemble is a nine-piece classical Iranian group led by Sanaz Sattarzadeh, who plays tar. Most of the classic...
Reviewed by Simon Broughton in issue: September/2025
Chat Iskandaria
Lebanese singer Nouhad Wadie Haddad, better known simply as Fairuz, falls into that select category of ‘living legends’. After recording...
Reviewed by Chris Wheatley in issue: September/2025
Kapaim
Multi-instrumentalist Uri Brauner Kinrot has been leading his Ouzo Bazooka outfit for over a decade now, helping pioneer a blend...
Reviewed by Paul Bowler in issue: September/2025
Armageddon in a Sunny Dress
According to Sunny War, the music on Armageddon in a Sunny Dress, her follow-up to 2023’s Anarchist Gospel, partly stems...
Reviewed by Doug Deloach in issue: April/2025
Boss Morris
The self-titled debut from Boss Morris soars with all the melancholy folk beauty of a Red Kite in a wintry...
Reviewed by Dan Hobson in issue: April/2025
Dans fra Dalstrøka
By their own admission, the music of Norwegian sextet Hornorkesteret is hard to describe, and the line-up does little to...
Reviewed by Fiona Talkington in issue: April/2025
Usures
Les Mécanos are ten hirsute men from Saint-Étienne who, in overalls and dungarees, sing in Occitan and French of the...
Reviewed by Julian May in issue: April/2025
Nest
By combining instruments from his native country of Latvia, such as the kolke (a harp/zither relative of Lithuania’s kankle and...
Reviewed by Doug Deloach in issue: April/2025
Karma Sheen
60s rock meets Hindustani sounds and Sufi lyricism in this album of bright colours and youthful euphoria. Karma Sheen is...
Reviewed by James Rorison in issue: April/2025
Son Con Guaguancó
To mark the centennial of Cuban legend Celia Cruz’ birth, Craft Latino is reissuing a series of classic recordings. Opening...
Reviewed by Chris Moss in issue: May/2025
