Reviews
Strong
As Iness Mezel's album opens she is very much mistress of her own funk-rock-fusion domain. Her powerful, heavily reverbed voice...
Reviewed by Howard Male in issue: October/2015
An Irish Viola/Vióla Gaelach
Séamus McGuire with Steve Cooney
Novelty in a musical tradition as ancient as Ireland’s is not easily come by. But this unexpected pairing of viola...
Reviewed by Michael Quinn in issue: April/2022
My Vote Dey Count
Yaaba Funk are very much a London band: British and European, black and white, mixed-gender and politically engaged but intent...
Reviewed by Garth Cartwright in issue: June/2014
Mortissa
Readers may already be familiar with Çigdem Aslan, as she’s lead singer with She’koyokh, the fabulous London-based Balkan klezmer ensemble....
Reviewed by Garth Cartwright in issue: Nov/Dec/2013
My Bluegrass Heart
Bela Fleck's paean to the genre in which the banjoist established himself as a virtuosic instrumentalist and innovative composer is...
Reviewed by Doug Deloach in issue: November/2021
Tango Argentino Today
El Afronte Orquesta Típica are rising stars in the world of tango. For good reason, too: the Buenos Aires ten-piece...
Reviewed by Dan Hobson in issue: June/2019
The Ties That Bind
It's perhaps not too fanciful to now see Mawkin filling that Bellowhead-shaped hole looming in the folk-festival calendar – that's...
Reviewed by Kevin Bourke in issue: Aug/Sep/2015
Con Todo el Mundo
Take the surf versions of Middle Eastern folk tunes ‘Misirlou’ and ‘Hava Nagila’. Blend them with dub, 1960s Iranian pop...
Reviewed by Wif Stenger in issue: June/2018
Dr Strangedub (or How I Learned to Stop Worrying and Dub the Bomb)
This was supposedly written as a response to the ever-mushrooming sense of doom commonly experienced thanks to climate change, Trump,...
Reviewed by Tim Romain in issue: April/2019
